Page 53 - Photoshop User March 2017

› › DYNAMIC RANGE
After noise
Before noise
As you saw from the techniques we covered, to create realistic composites, you need to ensure that all the elements in your scene match. This includes contrast, saturation, and hue, along with other items not addressed in this article, such as perspective, cast shadows, and atmospheric per- spective. The key is to always reference the back- ground and use it as a guide for how the fore- ground elements should appear. n
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Final Layers
Composite Before
Composite After
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