Page 15 - Photoshop User February 2017
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KelbyOne Community Who’s Who
in the KelbyOne Community
Which KelbyOne instructors have influenced your work the most?
The two biggest influences in my photography develop- ment have been Glyn Dewis and Dave Black. Ironically, I attended separate extended workshops with each instructor prior to seeing them at a Kelby event. Both Glyn and Dave have unique teaching styles and their photog- raphy interests are in different fields, but they both have a sincere interest in their students’ success. They strive to make the learning event unique for each participant. You leave feeling like you really accomplished something.
What’s your standard travel photography gear?
I have to be selective due to the fact I’m changing hotels every day or so and dragging my luggage through five to eight airports a week. My current kit includes a Nikon D800, the NIKKOR 70–200 f/2.8, and either the NIKKOR 28–70f/2.8or12–14f/2.8,dependingonwhereI’mtrav- eling and what I intend to shoot. I carry a Nikon SB900 Speedlight as well to assist with indoor areas. I do spend a good deal of time researching the locations to which I’m traveling and what photo opportunities may be available.
What do you like shooting in your home area?
I currently live in Southern California. The past couple of years, I’ve taken some advice from Glyn Dewis and nar- rowed my photography focus. My current emphasis is aviation photography. Two years ago, my wife saw a portfolio from a photographer named Larry Grace. Larry is the president of the International Society of Avia- tion Photography (ISAP). My wife asked my why I didn’t take more airplane photos and I really didn’t have a good answer for her. I guess when you fly planes for a profes- sion, you don’t think of actually photographing them.
I joined ISAP two years ago and it’s been a wonderful experience. Scott Kelby is a member of ISAP. I’ve found that, as a commercial pilot, I can share a unique view of this fascinating profession. In addition to my Nikon, I carry a GoPro and mount it to the dash of the airplane and cap- ture views of airports from around the world.
What software do you use in your workflow?
My primary software of choice is Photoshop CC. I use Lightroomasacatalog/filingprogrambutrarelyuseitto make adjustments to my photos. Photoshop is a natural extension of my shooting workflow. I make every attempt to get the photo I want in-camera. I utilize Photoshop for compositing and making unique photos as part of my cre- ative process. “Creative Process” is a term I learned from Joel Grimes, another KelbyOne Instructor. n
Ed Faith currently lives in Southern California and is a commercial pilot with a passion for photography. He joined NAPP (now KelbyOne) back in 2005, and in addi- tion to his travel photography, he has also taken up aviation photography.
We first met at Photoshop World 2015. How many PSWs have you been to?
I’ve been a member of NAPP, now KelbyOne, since 2005. Each year I’d follow the events of PSW in the NAPP maga- zine and dream about attending the event. My first PSW was 2010 in Las Vegas. I was living in Anchorage at the time and found myself in a position that allowed me both the time and funds to see what all the excitement was about.
My first Photoshop World was very exciting. The instructors were very personable and had this awesome energy; the kind of energy that made you want to rush home and see what new projects you could explore. Everyone had a common interest and a willingness to help. I’ve had the pleasure of attending five Photoshop World Events since that 2010 event.
How long have you been a pilot and how has that career benefited your photography?
I’ve been a commercial pilot for 32 years, flying both pas- senger and cargo. The past 23 years, I’ve flown for UPS Airlines. As a commercial pilot, I have a unique opportunity to travel the globe. At last count, I’ve visited 53 countries. My photography equipment goes with me on every trip, and I’ve been fortunate to capture some incredible images.
I’ve always looked at travel as an educational event. I want to learn the history of the various regions of the world, not compare it to where I live. We see a lot of photos from the same “tourist” spots. I look for unique objects, events, and people to capture. Some of my favorite places are the back alleys and streets away from the popular travel spots.
What made you decide to join NAPP back in 2005?
My first copies of Photoshop User magazine were pur- chased from the local bookstore. I’d have to say my “I-have-to-join-moment” came when Corey Barker began writing for the “Down & Dirty” column. His ability to take a complex poster and break it down into simple elements was a game changer for me. I’d been working on composites and was frustrated with my lack of abil- ity to make it look realistic. Corey’s teaching style really brought it all together for me.
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